Tag Archives: 稲荷

Inari AGAIN at Hatsuuma 2016!

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Today is Hatsuuma, which is the feast day of Inari Ookami. I was a bit sad because although it fell on a Saturday which would usually mean I’d be off work and have more time to celebrate, it just so happened that I had to work this Saturday at an anime convention.

However, O-Inarisama still found a way of making an appearance! At the convention, I happened to find the stand of the artist who had drawn the picture above, which I had seen before circulated on the Inari Faith International Facebook page, originally from Fur Affinity. This image is so beautiful and so full of Inari symbolism that I knew I had to buy it straight away.

I talked a little with the artist, who has apparently been to Fushimi Inari Taisha but she seemed unaware that O-Inarisama is in fact a revered deity. It’s amazing that she could produce something so meaningful to Inari devotees even without some of the background knowledge – perhaps it just shows her sensitivity as an artist! My print is now proudly displayed above my Inari altar along with my Inari-zushi and mochi offerings for Hatsuuma.

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Inari makes an Imbolc appearance

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Inari Okami has a habit of springing up unexpectedly in my life, and today He seemed to make a very auspicious appearance!

I’d popped into the supermarket this morning to find some suitable cheese as an Imbolc offering at both my Inari and Neopagan altars. And that’s when I found these one, “White Fox.”

I’ve never heard of this brand before!  Seeing as the white fox is Inari-sama’s most familiar symbol, what could be a more fitting offering?

Who knows, perhaps it might be a little nudge of encouragement as I have just finished writing my latest Patheos article all about Inari-sama…. (please do have a read!)

Happy Imbolc everyone!

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Celebrating Japanese New Year in the UK

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Kagami-mochi (Japanese New Year decoration) at Japan Centre, London

Shogatsu, or New Year’s Day, is probably the most important day in the Shinto calendar. But celebrating it in the Japanese way in the UK can be rather challenging, partly because there are no Shinto shrines to visit and food and goods associated with Shogatsu are hard to come by, and partly because the British was of celebrating the New Year can be difficult to mix with the Japanese customs. In Japan, New Year’s Day is a time for getting up early and celebrating with the family by eating a large meal and visiting the local shrine. [Read more...]

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Winter Solstice 2015

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Today I celebrated Yule (I prefer to celebrate on the date of the actual Solstice, rather than on the 21st). I began by climbing the local Windmill Hill to “see” the Solstice Sun rise. It being a very cloudy day, I couldn’t actually see the Sun (typical!), but I enjoyed being there as the light grew brighter. I made some offerings of sherry to some of the trees on the hill, including a very large Oak tree. There were a couple of dog walkers around, and I think they were somewhat bemused to see this strange girl out on the hill spilling a chalice of sherry around the tree roots!

When I came home, I placed offerings of a satsuma, chestnut and mochi (in addition to the usual offerings of water, sake, rice and salt) at my Inari altar and recited the Hifumi and Inari Norito. As you can see from the photo above, I’ve recently started using the old Hindu shrine I picked up at an antiques fair as a makeshift Kamidana, until my finances mean I can get a genuine Shinto one. I think it works pretty well for the time being.

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I also made offerings at my Pagan shrine. The posters on the wall behind are prints from Brian Froud’s Good Faeries, Bad Faeries, which is an excellent book that I highly recommend. Unfortunately, I discovered that the cover of my copy and some of the inner pages had become utterly ruined by damp and had gone really mouldy, but not wanting to throw away the whole book, I cut out some of the pictures that were still OK. I plan to change them on my altar according to the season; I think the ones above look quite wintry.

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I also added some of the salt dough Green Men that I’d made and hadn’t given away yet to the altar. I put one Holly King mask on the God side of the altar, an Ivy Queen mask on the Goddess side, and another Holly King hanging in the centre.

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Finally, in the evening I made some “rune cookies,” just like I did last year (but with additional clove and ginger this year). Although the first batch turned out well, I unfortunately burned the second batch! Today’s been a bit of an unlucky day for cooking actually – the oven’s been playing up a bit as well. Perhaps I need to pay more attention to the Goddess of the Hearth and let her know that I appreciate her work for us! I did place an offering of the best (non-burnt) biscuits on both the Inari shrine and Pagan shrine – I hope the Powers That Be like them.

Have a Magical Yule everyone!

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September 2015 Full Moon Esbat (O-tsukimi, Blood Supermoon Eclipse)

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Last night was a particularly special Esbat. It was the Japanese Moon Viewing festival of O-tsukimi, a “Super Moon,” and a “Blood Moon” eclipse. On top of this, it was the first Full Moon ritual I have performed at my new house.

In preparation for o-tsukimi, I had collected grasses from our garden (we have a garden now!) to display on my Inari altar. I also changed the altar cloth to one depicting a traditional o-tsukimi design of rabbits making mochi (that is what the Japanese believe they can see in the patterns on the moon’s surface).

I couldn’t have wished for better weather for an outdoors ritual – it was a mild, dry, still evening and the sky was very clear. The supermoon shone almost dazzlingly bright. I performed the ritual on the deck in front of my lawn, and it became clear to me that my garden is in many ways much better than the courtyard in our old flat. It’s much quieter, and the moon was directly overhead, which never happened during my rituals in the old place. The only disadvantages are that it’s a little more exposed (several other houses directly overlook the garden and we also have neighbouring gardens to consider) meaning that I’m more likely to be seen by the neighbours, and I no longer get to see the foxes who lived by our old flat. But I did see a bat flutter overhead!

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We don’t yet have any garden furniture, so I used a rolled mat on the floor instead which actually worked quite well. I started the ritual by chanting the names of Goddesses of the Moon (Artemis, Ceridwen, Diana, Hecate, Luna, Melinoe, Phoebe, Selene) and, because the Japanese kami of the Moon is male and O-tsukimi is a Japanese festival, Gods of the Moon (Aphroditus, Khonsu, Thoth, Tsukuyomi). I offered a mochi rice cake, which seemed appropriate because mochi look rather moon-like as well as their association with the moon-rabbits, and sake, which is a traditional o-tsukimi offering. I asked for the Moon deities to give healing to my relatives who need it, and since the Blood Moon is associated with conflict, prayed for peace. I spent a few moments meditating in the moonlight before partaking in the simple feast of half the mochi and a sip of sake.

I went inside and said prayers at my Inari altar, making an offering of the other half of the mochi. I was delighted to see that the moon was shining through the window.

I did stay up until gone 1am to try and catch a sight of the Blood Moon eclipse, but there wasn’t really much to see so early. I would’ve done better to have woken up at 3 to see it at its height! But to be honest, I was just happy to see the supermoon shining in her full glory.

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New Moon September 2015

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My Inari altar. The picture behind was painted for me by the art teacher at the school I used to work at in Nagasaki. It’s a view from the school window, which overlooks Mount Inasa (in the centre of the painting). At the foot of this mountain is Fuchi Shrine, which includes an Inari shrine on its grounds.

As mentioned in a recent entry, I have decided to start commemorating the New Moon by offering extra dedications to Inari Okami, and to ask Him and the other kami for help with specific things (as the New Moon is associated with wishing in Japan). And tonight I did so by practising chinkon-gyo meditation for the first time before my altar. Chinkon gyo is a form of Shinto meditation that involves both chants of norito (prayers) and gestures as a form of purification and a way of honouring the kami.

I followed the instructions for chinkon-gyo in Shinto Norito. I have to admit that looking up the instructions (and then looking up the corresponding norito) meant that I could not fully immerse myself in the spirituality of the experience, but it was my first time. I know now from previous experience that the first times you hold a new ritual or say a new prayer, you never quite feel spiritually “in tune” – it takes considerable practise before you are comfortable enough with the ritual in order to let yourself be absorbed by it, rather than focussing on simply getting it right. I therefore felt really pleased to be starting something new, and the New Moon seemed to be the perfect time to do it!

In the period of silent meditation that closes the ritual, I offered my prayers and wishes to Inari Okami. I asked Her to heal and watch over particular members of my family who are suffering health problems, as well as to aid and protect the many, many refugees and migrants who are experiencing such difficult times throughout Europe and the Middle East at the moment. I also asked Him to grant our leaders the wisdom to give appropriate help, and to give me such wisdom too.

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After my prayers to Inari-sama were over, I took the opportunity to offer some incense to my statue of Hypnos, who sits atop a wardrobe in my bedroom to promote peaceful sleep. Both my husband and I have had some troubles sleeping lately, so I asked Hypnos to make us sleep better so we could awaken refreshed the next day. The incense I offered was “Opium” scented, which seems appropriate as the classical deities related to sleep are associated with poppies.

I hope my wishes and prayers will be granted!

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My New Inari Altar

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Followers of my blog may know that I have recently moved house, and as such the old Inari altar that I maintained outside is no more. I’m still in the process of making lots of decisions about my home altars – both my Pagan and Shinto ones – but in the meantime, I have set up this temporary shrine to Inari Okami in our smaller spare room.

The biggest difference for me is that this new altar is indoors. I placed the one at my old house outdoors specifically in honour of the local foxes who often came into our garden. Our new house doesn’t seem to have a community of foxes nearby (I think I’ve seen just one in the neighbourhood so far, and not in our garden), and more to the point, there doesn’t seem to be anywhere “safe” in our new garden for the shrine to go where it would be protected from the elements and the many cats that jump over the walls into the garden.

So I’ve put the temporary altar in the spare room, which I plan on turning into a “Japanese” style room, with a partially tatami floor and other Japanese elements. Unfortunately, there’s nowhere to put it above eye-level (kamidana should always be placed above eye-level), so when I make prayers to Inari-sama, I prostrate myself on the floor.

There are of course advantages to having an indoor altar – I don’t have to worry about cold or rain, it’s easier (and cleaner) to give offerings, and indeed most Japanese people keep their kamidana indoors. But I do miss the feeling of praying to Inari-sama outside; the wind against my skin, the sound of birdsong, the scent of plantlife. I felt I could connect more deeply to Inari-sama when I prayed to her outside. However, the practicalities of an indoor altar are overwhelming for now.

I do eventually want to get a proper kamidana set, complete with an o-fuda (the centre of my altar currently has the o-mamori that my colleague brought back from Fushimi Inari Taisha, which is the best substitute I have), and put it up on a shelf above eye-level. But I feel bad about spending money on a kamidana which only I will use (my husband isn’t a Shintoist), when we still need to buy lots of things for the house for both myself and my husband to use. If I happen to come into a bit of extra money, perhaps that’s how I should use it!

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July Full Moon Esbat / Tanabata 2015

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Last night we were blessed with a very warm, still night and a beautiful yellow Full Moon. I performed what will definitely be the last ever Full Moon Esbat ritual at our current address, as we now know that we will be moving house in a couple of weeks.

Tonight’s ritual was one of many thanks. As it is soon our anniversary, I prayed to the seven deities who we invoked at our handfasting – Diana, Mars, Mercury, Jupiter, Venus, Saturn and Apollo – and thanked them for blessing us for such a wonderful first year of marriage filled with love and happiness. I also thanked Inari Okami for being my watchful patron and for keeping myself, my family and my house safe for so long, and asked her to keep on blessing not only ourselves, but also the local foxes and the next people who will come to live in our flat.

It’s also close to the Tanabata Star Festival (July 7th), and this combined with the previous night’s alignment between Venus and Mars made it seem like a perfect time to commemorate this festival. I gave thanks to the kami associated with Tanabata and hung some tanzaku with wishes for a happy life, healthy family, environmental healing and world peace upon the vines growing outside our house.

Towards the end of the ritual, I heard the foxes calling. I will miss them when we move into our new house.

The next Full Moon ritual will probably take place in the garden of our new house – I wonder what it will be like…

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The Divine Masculine and Feminine in Shinto

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Izanami and Izanagi, Shinto’s divine creator deities

The common Pagan/Wiccan belief in the Divine Masculine and Feminine (or Great God and Great Goddess) is shared in many other faiths, and Shinto is no exception, having quite a few masculine/feminine parings in its pantheon. Shinto probably owes much of this to Chinese folk religion, in which the concept of Yin and Yang stresses the balance between Masculine and Feminine. Whenever I invoke the Great God and Goddess, I remember that I am also invoking those Masculine/Feminine deities in Shinto, and vice versa. Here’s a few of the divine Masculine/Feminine pairings that can be found in Shinto and related Japanese folk beliefs

Izanagi-no-mikoto and Izanami-no-mikoto – Two of the most important deities in Shinto, Izanagi and Izanami are the divine creators, responsible for the birth of the other kami (gods and goddesses). Their story is very similar to that of Orpheus and Eurydice – after dying in childbirth, Izanami decends into the underworld and Izanagi tries to follow her. Izanami warns Izanagi not to look upon her, but he betrays her and lights a fire to see her, and shrinks back in horror to find her rotten and decaying. In rage, Izanami chases Izanagi from the Underworld. Another account tells us that Izanami eats from the food of the Underworld which binds her there forever – much like the myth of Hades and Persephone.

amaterasu Amaterasu Omikami and Tsukuyomi no Mikoto – Like many religions, Shinto recognises the Sun and Moon as a divine Masculine/Feminine pair. But unlike many religions, the Japanese see the Sun as the feminine (the goddess Amaterasu Omikami) and the Moon as the masculine (the god Tsukuyomi no Mikoto). Amaterasu and Tsukuyomi were said to be born from the eyes of Izanagi upon washing them after his journey to the Underworld. It is fairly unusual that in this pairing, Amaterasu is most definitely the dominant force. She is often considered the most important deity in the Shinto pantheon, while Tsukuyomi holds a fairly minor role – little is known about him.

joutoubaJou and Uba – A legendary old couple who have become dosojin – wayside guardian spirits. A little more positive than Izanagi and Izanami’s relationship, they represent harmony and love in marriage. The characters of the Old Man and Old Woman are very important in Japanese folklore – a large proportion of mukashi-banashi (Japanese fairy tales) begin with the words, “Once upon a time in a certain place, there lived an old man and an old woman.” [Picture: By Yanajin33 (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)%5D, via Wikimedia Commons]

OrihimeHikoboshiOrihime and Hikoboshi – Originally from Chinese mythology, Orihime is the “Weaver Princess” identified with the star Vega, and Hikoboshi is the “Cowherd Star” identified with Altair. During the Tanabata festival in Japan, the two are said to meet across the Milky Way – you can read more about this festival here. [Picture: “Yoshitoshi – 100 Aspects of the Moon – 40-2” by 月岡芳年 – http://www.ukiyoart.com/img/YoshitoshiShogokuKengyoiFullSize.html. Licensed under パブリック・ドメイン via ウィキメディア・コモンズ]

CraneTurtleTsuru and Kame – Tsuru means “crane,” and kame means “turtle.” Again of Chinese origin, cranes and turtles paired together represent longevity. In Japan, the famous mukashi-banashi tells of the legend Urashima Taro, who turns into a crane after falling in love with the sea goddess Otohime in the form of a turtle. So again, the two can represent the divine masculine/feminine union.

ObinaMebinaObina and Mebina – At Hina Matsuri, Japanese households display dolls representing an Emperor and Empress, called Obina and Mebina. Although not regarded as deities, there is still a sacredness attached to these dolls, and again they can be seen as representing a divine masculine/feminine pair. [Photo: “HinaDolls-Emperor-Empress-topplatform2011” by Nesnad – Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons]

inari3Inari Okami – Although usually regarded as a single deity, Inari Okami nevertheless represents a union between the divine masculine and feminine for me. Inari-sama is depicted equally as male and female, and his temples are always guarded by a pair of fox statues – one male, one female.

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Temporary re-location of the Inari Altar

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In the run-up to my husband and I moving house, I have relocated the fox statues, as well as the offering dishes, from my outside Inari shrine to my indoor altar, after cleaning them up a little. There is an o-mamori from Fushimi Inari Taisha on my indoor altar (it’s currently hidden behind the sun plaque), so it still seems fitting.

As you can see, I’ve also packed up a lot of the items that were once on my indoor altar so it’s looking pretty bare!

I’ve had the Inari altar outside as a tribute to the local foxes for over a year now, so this really does feel a little sad – the end of an era. I have no idea whether our new house has any foxes living nearby, so I do not know as of yet whether I will have a shrine to Inari Okami outside or inside. One’s things for certain though – foxes or no, I will continue to maintain an altar of sorts to Inari Okami and continue venerating her.

Although I will discontinue giving fresh food and sake offerings for now, I will continue my daily practise of burning incense and making a brief prayer at this altar. I hope Inari Okami does not mind this temporary change in routine until my husband and I are settled in our new home.

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